Museum Websites

Ancient Culture Goes Online as National Museum Digitises


Phnom Penh Post, Cambodia
by Christopher Scott, January 29, 2014

After nine years of locating works, cross-checking records, photographing and finally cataloguing, the National Museum has unveiled its online database, which features more than 16,000 entries ranging from ancient statues to paintings and manuscripts.
Launched on January 3, the database is the only fine arts system of its kind in Cambodia, with its web presence enabling museum curators to locate and document works, as well as providing the public with access.
Funded by the Leon Levy Foundation, the National Museum of Cambodia collaborated with the Center for Khmer Studies (CKS), an international, non-governmental organisation that supports and promotes research and scholarly exchange with Cambodia.
“It’s extremely important for Cambodians as well as researchers, whether they be just generally interested in Cambodian art, wanting to actually locate, write about or research something in particular in the collection,” Darryl Collins, project director and member of the CKS board of directors, said.
Prior to the online database, museum records were scattered in three different formats, with several French card cataloguing systems, Khmer handwritten inventory lists and a pre-existing database.
“Before it was rather laborious; virtually you had to turn up on the doorstep of the National Museum Of Cambodia to talk to the curatorial staff or the director and find out about a particular piece,” Collins said.
More here

International Committee of Museums of Ethnography

A note from Annette B. Fromm:

Just a brief notification that the International Committee of Museums of Ethnography (ICME) has a new website. Please change your favorites or bookmarks to http://icme.icom.museum/. We hope that this will be a clearer, more easy to navigate website. In the near future, our webmaster will be adding the archives of the Committee. Thank you so much and best wishes in the New Year. Looking forward to seeing all of you in Shanghai in November!

Web Projects Update Part 1: The Museum Anthropology Blog

Museum anthropologists (and friends) in, and beyond, the Council for Museum Anthropology (CMA) may be wondering about the state of Museum Anthropology (MUA) and the story behind its spinoff projects, the Museum Anthropology weblog (which you are reading right now) and the seemingly out-of-the-blue emergence of Museum Anthropology Review (MAR). I will report on all of these projects in full at the fall CMA/AAA meetings, but I can note a few highlights and contexts here. To keep these postings relatively brief, I will divide them up, covering the blog, MAR and MUA separately. Today I will touch briefly on the blog, saving the others for forthcoming posts.

The blog is pretty easy to explain. It is coming up on its one year anniversary, which will fall on July 27. Last summer, while I was waiting to finalize the fall 2006 issue of Museum Anthropology (it was then being typeset, I think), I decided to experiment with setting up a blog on which news and views related to the journal could be shared, as could news from the field. Under this later heading could come such things as exhibition notices, calls for papers, etc. Like all weblogs, this one has ebbed and flowed with the availability of content and time to spare. Besides my time and that of the journal editorial assistants who have helped with it, the effort has cost nothing and been reasonably well recieved. This reception is measured in direct feedback to the editorial office as well as visitation statistics and internet chatter, as when posts to the site are linked to or discussed on other blogs. Thankfully, various agregators, such as MuseumBlogs.org have helped people find the site, as have friends such as The Attic and Kim Christen. With one year under its belt, I anticipate keeping going with the blog in something like the current form during the next year. Please keep the blog in mind as a way to spread news of your exhibition (editorial, conference, etc.) projects. We are happy to recieve press releases (etc.) and will do all that we can to note relevant news items.

PS: While enjoying the Museum Anthropology blog, also consider checking out the CMA's own redesigned website. It still needs some fine tuning, but it is up and running and can be found here.

Collections Research and the Web: Reflections on a Successful [Half-] Day's Work at the Pitt Rivers Museum

Editor's Note: I am pleased to share a guest weblog post by Alison Petch, who is both Museum Registrar and Researcher on the ESRC-funded project "The Other Within: The Anthropology of Englishness" at the Pitt Rivers Museum at Oxford. As noted here previously, Alison recently authored a paper on the role of Notes and Queries in the history of museum anthropology that appeared in the most recent issue of Museum Anthropology. Thanks to Alison for this reflection, which I found to be an encouraging dispatch from the front lines of collections research.

Collections Research and the Web: Reflections on a Successful [Half-] Day's Work at the Pitt Rivers Museum

Alison Petch

On Tuesday 1 May 2007 I resumed work on a research database that I am compiling (which will ultimately be available online at the "The Other Within" website, here).

There are approximately 350 named companies and manufacturers associated with English objects in our collections. On that day I was trying to find out if there was any information on the web about a gunmaker from Oxford called Nicholes. The Museum previously only knew his surname, no other information, this information having come from the accession book entry:
Accession Book Entry - F. C. WOODFORDE, Esq. Market Drayton, Salop. May [1911]. - Pair of flint-lock pistols by Nicholes of Oxford, with steel wrench for turning the barrels. [1911.15.1]

A search for Nicholes in Google led me to one of my favourite sites: http://www.headington.org.uk/, which is expertly compiled by Stephanie Jenkins in her spare time and contains much valuable information. In this case, John Nicholes (and his father of the same name), as well as being gunsmiths, were both mayors of Oxford (see here for the site that I actually located the information on).

So I had discovered that the firearms were much older than we had thought. Then I noticed on the same site that there is a reference to the famous Parson Woodforde visiting the site and mentioning it in his diary: Parson Woodforde visited Nicholes’s gunshop when an undergraduate in Oxford, and wrote on 29 June 1763: “For a Pocket Pistol, alias a Dram Bottle, to carry in one’s Pocket, it being necessary on a Journey or so—at Nicholl’s, 0. 1. 0.”

So I googled James Woodforde and found both the wikipedia entry, which says when he was at Oxford and also the Parson Woodforde Society. Both of these sites contained much useful information.

I had already noted that the donor was called F.C. Woodforde, and had previously thought it likely that his full name was Francis Cardew Woodforde, so I got the Chairman of the Society's address and emailed him. Martin Brayne is an expert on James Woodforde and the Woodforde family, and he was kind enough to email by return and provide even more information about Francis Cardew Woodforde and the Woodforde connections. Within 2 hours I had found out it was more than likely that our firearms were owned by James Woodforde, passed to FCW and thence to us.

And all this before lunch! This kind of research would have previously taken much time to complete, would have relied upon my following up the Woodforde name similarity, reading all of the journals on the off-chance of a Woodforde connection to Nicholes being mentioned and then being able to tie in Francis Cardew to his ancestor.

The joy that webpages compiled by experts bring to researchers is not often acknowledged. I happened to be in correspondence with Jason, Museum Anthropology's editor and told him how much I had appreciated the way the web had facilitated my research, and enabled me to contact and gain knowleddge from so many experts and he encouraged me to write this piece for the Museum Anthropology blog. The more we use the web and, particularly, the more we add information to the web, the better the information will be and the more we will all gain - imagine what such investigations might be like in 100 years time.

This blog post is dedicated to Stephanie Jenkins and Martin Brayne without whose work and help I would not have had such a successful outcome.

By Airplane to Pygmyland

It has already been blogged on by the folks at Savage Minds, but I wanted to note the appearance of By Aeroplane to Pygmyland: Revisiting the 1926 Dutch and American Expedition to New Guinea. The site is described in the current issue of Inside Smithsonian Research (p. 12) which is a good old fashioned paper publication on research in the museums of the Smithsonian. The project inaugurates a series called Smithsonian Libraries Digital Editions: Sources and Critical Interpretations. The site features interpretive essays by Paul Taylor contextualizing the expedition along with documents from the expedition, including diaries, 700+ photographs and two hours of film footage.

Digital Exhibitions: FYI

Since Museum Anthropology (MUA) 29(1), we have been offering reviews of online exhibitions and other digital media projects. These reviews can be found in the print journal and online via AnthroSource. We previously posted a list of exhibition titles, with links, on the MUA page within the website of the IU Department of Folklore and Ethnomusicology. This list of links has been updated and can now be found online here.

iPod Audio Tours

The Sam Noble Oklahoma Museum of Natural History, at the University of Oklahoma, has recently announced that it is, with support from AT&T, launching a podcast based audio tour program using Apple iPods.

This is part of an interesting trend that was examined in a paper by James Yasko published in the new open-access Journal of Museum Studies.

As part of Museum Anthropology's quest to review museum anthropology efforts in new media, I would love to hear about anthropology gallery tours that have been developed in the podcast format.

Coptic Textiles in North American Museum Collections

In a forthcoming review in Museum Anthropology, Nancy Hoskins considers Coptic Textiles, an online exhibition of the California Academy of Sciences. This review is grounded in Hoskins long-term study of this subject. She is the author of numerous works in this field, including the book The Coptic Tapestry Albums and the Archaeologist of Antinoé, Albert Gayet (University of Washington Press, 2004).

Hoskins is compiling a list of American museums that have Coptic textiles in their collections. While she knows of many repositories with such materials, they (like many kinds of archaeological and ethnographic objects) can turn up anywhere. She thus would welcome information on Coptic textiles found in American museums. She can be contacted by email at nhoskein (at) mailpci (dot) net. Her useful review of the Coptic Textiles digital exhibition will appear in Museum Anthropology 30(1), the Spring 2007 issue.

The Relational Museum: The History of Anthropology at the Pitt Rivers Museum

In the forthcoming issue of Museum Anthropology, Alison Petch of the Pitt Rivers Museum at Oxford University, will publish an article examining the role of scholars associated with the Pitt Rivers Museum in shaping the seminal fieldwork guide Notes and Queries on Anthropology. Petch's paper derives from a larger research project (2002-2006) at Oxford known as "The Relational Museum." The project organizers framed the undertaking in this way:
This project charts the history and nature of the relations composing the Pitt Rivers Museum through analysing the history of its collections. Ethnographic museums used to be seen as 'us' studying 'them'. A more productive approach is to view museums as trans-cultural artifacts composed of relations between the museum and various kinds of communities. The Museum is convinced that collections represent an unusually rich source for writing the histories of institutions, disciplines, individuals and communities. We see the project as having model value for research in other ethnographic, archaeological and social history collections. [http://history.prm.ox.ac.uk/about.php]
Petch was the lead author for the project's website, which is now available online. The site is a valuable resource for the work of museum anthropology and the study of the history of anthropology in the United Kingdom and worldwide. As described on its homepage:
This website aims to give information about the history of the Pitt Rivers Museum [PRM] from before its foundation in 1884 to the present day (mainly concentrating on the period up to 1945), its collections and staff. The site also gives access to the detailed statistics produced during the research project which show where the collections came from, what types of artefacts are included and information about the individuals who contributed to the Museum. [http://history.prm.ox.ac.uk/]
My hope is that Museum Anthropology readers will benefit from the findings and lessons of "The Relational Museum" project and from Petch's forthcoming paper.