Museum Anthro Futures

Museum Anthropology Futures, Day 3: Conference Ethnography Report

Written by Haley Bryant, Emily Cain, and Lillia McEnaney

Today, Saturday, was the third and final day of the Inaugural CMA Conference. In the previous two days of the conference, we primarily explored the over-arching themes of collaborative practices, pedagogies, and student perspectives. Today marked a turn away from these ideas and placed an distinctive focus on what Dr. Wayne Modest called today’s “anxious” politics.

Like others, today’s activities started with opening remarks. But, today’s comments were given by us, the conference ethnographers. We urged the organizers, participants, and attendees, as well as faculty, practitioners, and students, to think about what the future of museum anthropology means. What do we want future scholars to remember about how museum anthropologists responded to today’s political climate? We also noticed that the conference was consistently focused on ideas, practices, and methodologies, but had not yet proposed any active ways we can make a difference. So, we ended our provocation by prompting a call to action: brainstorm and come up with a way to enact one tangible change in your  home institution.

From there, Heather Igloliorte (Assistant Professor of Art History, Concordia University), Linda Grussani (Kitigan Zibi Anishinabeg First Nation), and John Moses (Six Nations Delaware Band) participated in a roundtable that presented the “Curatorial Legacy of the Expo ‘67 Indians of Canada Pavilion and the Future of Indigenous Museum Practice.” The roundtable was extraordinarily provocative, and engaged audience members from all corners of the field. Their discussion became a grounding theme for the discussions happening throughout the day.

The conference then split into two additional roundtables. The first of which, “Specimen, Object, Data: Transforming Collections Across Disciplines,” lead by Adrian Van Allen, Joshua Bell, Robert Leopold, Chris Patrello, and Hannah Turner, examined technology from an anthropological perspective, as well as the new role that technology holds in connecting collections to communities. Concurrently, Margaret Bruchac (Abenaki), Stephanie Mach (Navajo), Diana Marsh, and Lise Puyo held a roundtable that focused on “The Challenges of Re-discovering and Re-presenting Hidden Indigenous Collections.” This panel highlighted the methodological challenges in studying ‘hidden collections,’ and used the case studies of the indigenous collections at the American Philosophical Society and the University of Pennsylvania Museum, among others.

The afternoon continued with marked difference from the previous sessions -- a roundtable entitled “Slow Museology for Difficult Histories: Relationship Advice for Scholars, Activists, Educations, and Curators Looking for Commitment,” presented by Erica Lehrer, Tal Adler, Nora Landkammer, Sylvia Forni, and Karine Duhamel. These presentations largely examined the state of European museum method and theory within the context of difficult or contested histories. Presenters also discussed alternative ways to foster long-term collaboration through artists’ residences and museum programming.

Conference participants were then split up to four separate breakout sessions. Christy DeLair and Emily Stokes-Rees lead a session that asked “How can museums be more responsive to current events? Creating a Tool-kit.” Their session aimed to workshop tangible ways that museums and museum anthropologists can work against the current political climate, and promote active problem solving. Next, Solen Roth, Matt Edling, Hannah Turner, Gabby Resch, and Adam Matello presented a discussion entitled “New technologies, better relationships? People, objects, and 3D museology.” In a broad discussion of community-based relationships and the recent trend towards 3D museum practice, they critically asked, “When do these technologies engender new relations, and when do they reinforce -- or weaken -- existing ones?” Next, Susan Rowley lead a discussion on using collections in teaching, titled “Engaging Students and Activating Collections,” which was the second panel of its kind in this conference. Lastly, the museum ethnographers, Haley Bryant, Emily Cain, and Lillia McEnaney, lead a discussion on the future of the Museum Anthropology Conference, and asked participants for suggestions for future events and for a critical reflection on their experience at Museum Anthropology Futures.

Museum Anthropology Futures came to a close with remarks from the conference organizers, Joshua Bell, Erica Lehrer, John Lukavic, and Jennifer Shannon. Many conference presenters, participants, and organizers noted that they felt a heightened sense of a museum anthropology community, and all expressed hope for a future conference.

The conference ethnographers wish to thank all Museum Anthropology Futures attendees for an enriching conference experience, and extend special thanks to Josh, Erica, John, and Jen for their continuous support and guidance throughout this ever-evolving process.

Remember to stay tuned for more blog posts,  Anthropology News articles, and additional post-conference information. Lastly, if you participated in the conference in any capacity, please email us and let us know what you think!

Haley Bryant: haleye.bryant@gmail.com
Emily Cain: cain.emily.r@gmail.com
Lillia McEnaney: mcenaneylillia@gmail.com


Museum Anthropology Futures, Day 1: Conference Ethnography Report

Written by Haley Bryant and Emily Cain 

We, the conference ethnographers, are here to report on what we've seen, heard, and experienced during Day 1 of the inaugural CMA conference! The program today offered a broad range of presentations focusing on student and emerging professional experiences, in addition to panels led by established professionals and academics.

Participants in Erica Lehrer’s 10 day critical museology workshop, which concluded yesterday, presented their posters and talked with conference attendees about their experiences. The posters will be available for viewing through Saturday, though their creators may not be present. There are also two fascinating exhibits on view in the pop-up gallery for the duration of the conference. “Dead or Alive: Animal Bodies in the Museum” by Jacob LeGallais explores the intersection of nature and culture, focusing specifically on the presentation of animal bodies within museum spaces. He was on hand to discuss his interest and background in museum education, and how he hopes to push the boundaries of common conceptions of museums and museum objects through innovative educational approaches, including fine arts. “Museum as Platform for a Speculative Experience: A Lesson of a Cree Walking Stick,” by Ika Peraic, is a multimedia experience examining the concept of design as a speculative medium to reflect upon its engagement with cultural difference and to explore the performative dimensions of Indigenous cultural heritage via a review of a Cree walking stick. Also on view is the ongoing collaborative mural guided by artist Michael Nicoll Yahgulanaas (Haida).

Molly Kamph, a recent graduate of George Washington University’s anthropology Master’s program, led a roundtable discussion focused on student perspectives of the field. The participants discussed their academic and professional journeys and discussed their visions for the future of museum anthropology. Discussions of mentorship, how to choose the right graduate program, and career building were particularly enlightening. Students and emerging professionals also had the opportunity to attend a career advising workshop lead by Joshua Bell and John Lukavic. Topics of discussion included maintaining a healthy work-life balance, the best ways to network with professionals and academics, and what type of experience is best for various career goals.

The Curatorial Dreaming workshop led by Shelley Butler offered a space to explore the limits and possibilities of curation within museum anthropology. In addition, there were four closed or limited sessions in which participants shared papers in progress. This was an opportunity for established professionals to elicit feedback on their work from their peers in a more private setting. 


The evening concluded with a tour around the neighborhood for “Libation Anthropology”, a chance for attendees to continue conversations in a more casual atmosphere. We are looking forward to tomorrow’s conversations about radical engagement, object-centered narratives, and the history of the discipline.